SSF @ UNC 2026

IN-PERSON SCREENING

  • January 24, 2026
  • 7:30pm screening followed by Q&A with SSF staff
  • available to members of the University of Northern Colorado community
a young, fair-skinned woman squats on pavement at night, holding a neon pink strip of LEDs in what appears to be a parking lot with illuminated signs behind her

Sans Souci is pleased to present our fourth annual collaboration with University of Northern Colorado School of Theatre Arts and Dance! This one hour dance film screening features a diverse set of dancers and dance styles from eight countries, specially curated for UNC students, with a talkback with SSF Staff to follow.

University of Northern Colorado logo
Langworthy Theater
1710 9th Ave
Greeley, CO 80631

program of films

This screening runs approximately 57 minutes. Warning: one film contains a strobe effect that may be unpleasant for photosensitive viewers, and one film features the topic of domestic violence.

in a large white warehouse filled with shelves of pottery, a woman in a red shirt squats down intensely, holding her head

Corralling of Circles

2024 / China / 4 min

Directed by Siye Tao
Produced by Siye Tao, Qingwen Yan
Choreography by Siye Tao
Co-Choreographer Theo Qu
Dancing by Siye Tao
Cinematography by Qingwen Yan
Edited by Qingwen Yan
Music Composed by Kevin MacLeod
Sound Design by Kevin MacLeod

watch the trailer

This short film is a far cry of the impulses to escape from a suffocating but all-too-familiar setting, which erodes our souls. The circular shapes, repetitive tasks, swirling movements seem to carry the lady into a sinking hole. Can she finally break free and find her way out?

through a hole in the wall, we see a light skinned woman in a trench coat looking upward, hand shielding her eyes from a bright light source

Soul Shelter

2025 / Slovakia / 4 min

Directed by Juraj Mráz
Produced by Juraj Mráz, Barbora Bakošová
Choreography by Kristína Martanovičová

Beneath the war-ravaged streets of Ukraine, a woman exists in an underground bomb shelter—a space that is both refuge and purgatory. Within these cold, breathing walls, time folds in on itself, revealing the unbroken cycle of war. She is not merely hiding; she is witnessing. Through echoes in the shelter — whispers of the past, fragments of the present, and the shadow of the future — she lives the stories of those who came before her. A child is born, only to be handed a rifle. The shelter absorbs these voices, transforming them into an eerie chorus of remembrance and inevitability. As she navigates this liminal space, she begins to see herself not as an individual but as part of a larger mechanism — a machine that recycles life into war, soldiers into ghosts. Her own body is both creator and casualty, her existence reduced to the paradox of giving life only for it to be taken away. As explosions rumble above, she is left with one question: Is escape possible, or is war the only inheritance? In the shelter, everything begins, and everything ends.

five light skinned dancers huddle together on a beach such that no parts of any of their faces are visible and they appear almost as one organism

APXH (beginning)

2023 / Switzerland / 9 min

Directed by Maja Zimmerlin
Produced by Maja Zimmerlin, Sarah Möller
Choreography by Maja Zimmerlin
Dancing by Aurore Allo, Kritonas Anastasopoulos, Manuel Lindner, Wibke Storkan, Maja Zimmerlin
Cinematography by Johan Planefeldt
Costumes by Clara Fee Stürzl
Music, Sound Design, and Mixing by Elisa Arciniegas Pinilla

watch the trailer

In the beginning there was a complete nothing: a nothing in which nothing existed. The smallest particle, a cell, a grain of sand. Merging, crystallizing, forming shapes. When light and dark intermingled, who could fathom the being and becoming? And when only to be seen was a swath of fog swirling, a wide horizon became apparent. A first breath, endlessly recurring, gave its weight to the waves, and against the wind. The continuity of duplication and division, forming life in tenderness and timeless trust.

in a rural African town, a dark skinned man in a white suit poses between several large wash tubs and is soaked in water

Cimetre

2024 / France, Burkina Faso / 7 min

Directed by Jacob Londry Bonkian, Djibril Ouattara
Choreography by Djibril Ouattara
Featuring Ankata Next Generation
Dancing by Salif Bamogo, Abdoul Kader Derra, Ousmane Diallo, Abdoulaye Ouedraogo, Melanie Sanon, Boune Rahim Sanou, Karidiatou Sanou, Sylvie Dalia Sanou
Cinematography by Jacob Londry Bonkian
Artistic Direction by Clotilde Rullaud

watch the trailer

Cimetre takes viewers deep into the vibrant heart of Bobo-Dioulasso’s popular neighborhoods, where life pulses on every street corner. This poetic and sensory immersion explores the essence of the cimetre, a six-meter social perimeter around homes where tradition, modernity, and solidarity intertwine. From the first light of dawn to the fiery celebrations of night, the Saint-Étienne district becomes a living tapestry of artisans, merchants, children, and dancers. Guided by cinematic storytelling, this music video celebrates the collective energy of a tightly-knit community while raising a universal question: how can we preserve connection and compassion in an increasingly individualistic world? Through vivid dance scenes, striking contrasts between tradition and modernity, and evocative symbols like the communal mirror, Cimetre captures the hidden beauty of the ordinary. A woman in a red satin dress in a garage, a dancer in white moving through a bath of black ink — each detail highlights the duality and richness of these neighborhoods. Straddling modern influences and deep-rooted heritage, this film transcends music to present an intimate, universal portrait of a world where conviviality becomes an act of resistance.

a grainy image of a dancer is superimposed onto a narrow dark road through the woods that is only illuminated by the headlights of a car outside the shot

Anything With a Switch

2024 / United States / 5 min

Directed by Charli Brissey
Produced by Charli Brissey
Dancing by Charli Brissey
Written by Charli Brissey

watch the trailer

A short movement study on sapphic longing and obsession.

in a living room filled with large plants and bold colored art and furniture, two women on tap boards tap dance, facing each other

Convivencia

2025 / United States / 7 min

Directed by John Jota Leaños, Vanessa Sanchez
Produced by Hector Zavala
Choreography by Vanessa Sanchez
Featuring La Mezcla
Dancing by Vanessa Sanchez, Sandy Vazquez, Diana Arbuto, Micah Sallid, Kirsten Millan
Cinematography by Harry Gregory
Sound Engineer Greg Landau

watch the trailer

Convivencia brings to light the lives and stories of female essential laborers along the US/Mexico borderlands through Tap dance, Son Jarocho, and Afro-Caribbean rhythms. The film highlights interviews with migrant domestic laborers from La Colectiva de Mujeres, a female-led collective of domestic workers in California. The film addresses the struggles, resistance, and resilience of these women to showcase their significant contributions to our communities and celebrates their spirit of community, joy, and resilience. Convivencia is a unique fusion of oral histories, percussive dance, footwork, and folkloric dance from choreographer/director Vanessa Sanchez in collaboration with filmmaker John Jota Leaños.

a young, fair-skinned woman squats on pavement at night, holding a neon pink strip of LEDs in what appears to be a parking lot with illuminated signs behind her

Y

2024 / Poland / 1 min

Directed by Zuza Marczak
Performance by Nikola Palej
Music by Konrad Juszczyszyn
Edited by Zuza Marczak
Written by Zuza Marczak
Production Assistant Mateusz Wuj

Close your eyes. You have a minute. It’s a lot and not enough. Breathe. Ask your roommate, who is an actress, to help you. 50 seconds. Arrange a barter with a friend who will be able to make music in exchange for logos. 45 seconds. There are two ways to do things quickly: short and sweet or quick and dirty and that’s always too dirty, too late, and too quick. But don’t worry, you have time. 30 seconds. Run…a love letter to DIY films. AUDIENCE WARNING: This film contains a strobe effect that may be unpleasant for photosensitive viewers.

a man and woman sit at a well lit table in an empty and otherwise dark room, their hands performing intricate choreography on the table

Spoken Movement Family Honour

2025 / United Kingdom / 10 min

Directed by Daniel Gurton
Produced by Harriet Thomas
Choreography by Kwame Asafo-Adjei
Featuring Spoken Movement
Dancing by Kwame Asafo-Adjei, Catrina Nisbett
Music Composed by Ben Nobuto
Cinematography by Henry Gill
Edited by Emilie Orsini, Sakky Barnor

In a British-Ghanaian household bound by tradition and religion, a young girl lives under the oppressive control of her abusive father. At the family dinner table, heated arguments reveal the deep rift between them as they confront the scars of their shared history. AUDIENCE WARNING: This film references domestic violence and may be unsuitable for some viewers.

an image on a film strip of two light skinned dancers with short brown hair in a field in front of a house; one is helping the other raise their arms above their head

Your Love: ‘Walking’ Beside Me

2025 / United States / 4 min

Directed by Ali Kenner Brodsky
Choreography by Ali Kenner Brodsky
Featuring ali kenner brodsky & co
Performed by Jessi Stegall + Ilya Vidrin
Cinematography by Rich Ferri
Music Composed by MorganEve Swain

watch the trailer

Your Love: ‘Walking’ Beside Me explores the dichotomy of love being in our past and supporting our steps forward. This new film work series is based on Brodsky’s live duet ‘walking’ and challenges the stigma around grief by giving audiences a moment to be present with their personal experiences of loss.

two Asian women pose on a park bench; one is holding the other's right ankle high in the air

Well!

2024 / China / 6 min

Directed by Lu Zhang
Produced by Lu Zhang
Choreography by Lu Zhang
Dancing by Zhaohan Yan, Lu Zhang
Cinematography by Sudong Liang
Stage Management by Dinghao Ma
Special Thanks to Evolve

Monkey & Dog: Coded Paws – Two pals cling tightly, hand in hand they stroll, One’s a wily monkey, one’s a tail-wagging soul. How to bond through thick and thin? When one sulks, the other grins — Secret codes only “we” control! Through foggy dawns or meteor showers, we charge through thorns, we sniff wildflowers. Let the world spin fast or slow…Our friendship’s a bold cartoon — Paw prints chasing paw prints — Where? Nobody knows!