Women’s History Month Virtual Screening 2024

virtual screening available for free on our website

VIRTUAL SCREENING MARCH 1 – 31, 2024

  • celebrating and featuring the work of Women directors and extraordinary Women performers
  • free to the public
  • available for streaming on this page during the screening period
an older woman plays an accordion while a younger woman watches and dances behind her

Given the times we’re living in, we’re delighted to once again be able to offer online screening options for those who may not want or be able to attend in-person events. These films will become available on this page during the screening window, free of charge for the public around the world.

As part of our efforts to move toward a more racially just and socially equitable landscape for dance cinema, SSF has celebrated heritage months for the last few years with screenings highlighting artists from communities underrepresented in the field, and from marginalized communities. These screenings have always been free of charge to our local community in Boulder, Colorado, USA, but since the pandemic began, we’ve taken them online to share with the wider dance cinema community. Sans Souci presents our 5th annual Women’s History Month Screening, celebrating and featuring the work of Women directors and extraordinary Women performers.

program of films

This screening runs approximately 62 minutes.

two people with towels wrapped around their heads and faces stand in a meadow next to a long and winding line of white fabric

Blind Dreamers [•32°N 145°W•]

2022 / France / 6 min

Directed by Sandra Geco
Produced by Sandra Geco
Choreography by Sandra Geco
Dancing by Jean-Yves Phuong, Sandra Geco
Cinematography by David Masson

A visual fable with poetic notes that oscillate between reality and surrealism to reveal a universe mixing plastic, landscape and poetry. We discover a couple looking like René Magritte’s lovers who have exchanged their veil against a plastic bag. In research of sensitivity, this video fable questions our rupture with the rest of the living world and our (in)ability to identify with it. We are this living being caught in a trap: how could we forget about it?

a woman looks toward the camera through a small box framed by her hands

(UN)Seen

2022 / India / 7 min

Directed by Anjana Ghonasgi, Pratik Iyer
Produced by Anjana Ghonasgi
Choreography by Anjana Ghonasgi
Cinematography by Anshu
Sound Design by Hanosh Khan

Tethered between her own worlds of captivity and escapism, Maya finds herself. Our relationship with time will remain an unsolved mystery. Some days it is moving too fast, on some other days too slow but on most days it is passing by like clockwork. And TIME is the most manipulative when spent alone. This film reflects my journey with mental health. We are perpetually told to seek the light at the end of the tunnel, but nobody seems to know how. Is there even a light at the end? (UN)seen is a dance-film by Anjana Ghonasgi, developed and executed at AuroApaar’s Manifest dance film incubator 2022.

an older woman plays an accordion while a younger woman watches and dances behind her

The Swan, My Mother and I

2022 / Brazil / 15 min

hybrid/performance documentation

Directed by Andréia Nhur, Guilherme Telli
Produced by Paola Bertolini
Choreography by Andréia Nhur, Janice Vieira
Featuring Azul Banana, Grupo Pró-Posição
Dancing by Andréia Nhur, Janice Vieira

This documentary blends the past of a dancer born and raised in the countryside of São Paulo-Brazil, and her present updated in the duets danced with her daughter, who is a dancer as well. The film transits between bucolic images of ruined landscapes and the stage, bringing a letter that is a familiar legacy, with instructions to dance the Russian choreography “The Dying Swan.”

a tall, skinny vase with interesting objects casts its shadow on the wall behind it

Absent Presence

2023 / Italy / 1 min

microshort

Directed by Giorgia Ponticello
Choreography by Giorgia Ponticello
Cinematography by Jody Hinterleitner
Sound Design by Simone Meneghelli

To perceive, from the Greek “touch at a distance.” Absent Presence is the surreal journey of a disconnected body in an attempt to find itself in the spaces of an empty house. A game of perceptions, between the ambiguity of reflections and distorted shadows, which leads the viewers to wonder about the relativity of what they are watching: “What is real to us? What can I move and what moves me?”

two women lean back on a large rectangular object with foothills in the background

Handstitched

2022 / United States / 10 min

Directed by Virginia Broyles, Chris Lee
Produced by Virginia Broyles
Choreography by Virginia Broyles
Cinematography by Alex Lee
Created by Virginia Broyles

watch the trailer

Five people venture to a secret meadow tucked behind snow capped mountains to participate in a ritual of their own making. Together, they delight in dream logic and ceremonial uncanny through their mischievous traditions.

a female dancer with grey hair places her palms together with her fingers mimicking the curvature of a statue behind her

Two Hands

2023 / United States / 2 min

microshort

Directed by Jeanine McCain, Brian Hapcic
Dancing by Peg Volpe Posnick

Two hands lead the movement and poetry of a solo dancer contemplating life and loss.

a light skinned woman in an extremely long red dress seemingly stands on the surface of a lake

iuSui

2022 / Luxembourg / 9 min

first-time filmmaker

Directed by Maria Salgado Llopis
Choreography by Aleth Berenice
Music Composed by Kwang Ho Cho
Edited by Sébastien Rouquet
Concept by Aleth Berenice
Dramaturgy Maria Salgado Llopis
Aerial D.P. Gabriel Manz
Underwater D.P. Christina Karliczek

watch the trailer

iuSui is an ode to the visceral power of beauty, nature, freedom, and the vulnerability of the human psyche. You will be taken on an aesthetic and kinaesthetic voyage to what might be a very tangible place on earth or the most hidden site within the mind. From dark underwater depths to soaring above the clouds of Sweden, our female protagonist explores what it means to be human. Learn more.

silhouettes of two aerial dancers punctuate a projection of the moon

Yn Y Golau (In Visible Light)

2023 / United Kingdom / 12 min

Directed by Joanna Wright, Kate Lawrence
Produced by Joanna Wright, Kate Lawrence
Choreography by Kate Lawrence
Featuring Vertical Dance Kate Lawrence
Dancing by Lisa Spaull, Angharad Price-Jones
Cinematography by Ed Edwards
Edited by Ariadna Fatjo Vilas, Mariko Montpetit
Sound by Alex Ashcroft
Audio Description Script Louise Fryer
Access Consultant Amelia Cavallo, Kes Verlager

Yn Y Golau (In Visible Light) is an experimental vertical dance film, following two dancers on a journey through natural light phenomena.